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Write 924 more sounds across five synths (t-139) - #111
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Eight familiar sounds from different genres (acid, Reese, wobble, synthwave brass, house pluck, chiptune, phased keys, a dub-techno chord) and nineteen that only the 42N makes: drones tuned as drawbars, relayed by their envelopes and stepped through chords by the sequencer on the eye; Papa Srapa insects, lasers, radio and a resonator; the envelope follower fed from VCO A; audio-rate filter FM; looping envelopes in polyrhythm; a different path on each side; all eight voices at once. The baseline is re-recorded: the 33 earlier sounds are unchanged and no new one clips or is silent. Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Eight more from familiar genres (trap 808, Italo octave bass, trance lead, funk clav, rave hoover, minimal-techno blip, a flute with Papa Srapa breath, a horror cluster) and nineteen 42N patches: SPLIT's right gate opening a drone, VCO B's oscillator past its envelope into EXT.AUDIO, VCO A synced to a Papa Srapa's modulator, the sequencer playing a Papa Srapa or stepping MAGIC's pitch shift, sample and holds on a drone's eye, a delay's time and another voice's pitch, audio-rate PWM and FM, a looping envelope on the eye, the follower fed from WET OUT R, a sub-audio VCO as a key-tracked LFO, VOLT thunder, a joystick siren, a drone's envelope on the filter and the resonance flanger. The baseline is re-recorded: the 60 earlier sounds are unchanged and no new one clips or is silent. Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Fourteen in the style of ambient artists (Eno's airport loops as two looping envelopes, Stars of the Lid, Radigue's slow beating between near-unison generators, Budd, Basinski, Yoshimura, Vangelis, Biosphere, Gas, Roach, Hecker, Oliveros, Richter, Tangerine Dream) and thirteen that lean on the drones' free tuning and eyes: just intonation, the harmonic series, a church bell's partials, a choir of wavering eyes, two clocks playing generative bells, the pulser as the tide, a chord sliding against another over a minute, a starfield, a breathing filter. Laser Battle no longer says MAGIC's Reverse pitch delay reverses: the app plays it as a pitch delay with a second voice an octave down. The baseline is re-recorded: the 87 earlier sounds are unchanged and no new one clips or is silent. Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Eleven in the style of artists and genres (Derbyshire's gallop, a Carpenter ostinato, the S U R V I V E arpeggio, Oxygène strings, a psytrance roll, FM bass through VCO B's normal, industrial, Radiophonic swoops, Tomita, a house organ bass, lo-fi keys); a kick, snare and 808-style cowbell from the VCOs and a Papa Srapa; bagpipes, tanpura and didgeridoo from the classic drones; and ten 42N patches: the preamp as a fuzz, sequenced drone stabs, envelope-thrown echoes, VCO B FM on a drone's eye, a melody from one generator, a joystick axis per filter, quartal stacks from both subs, linked filters in two modes, a bee swarm and a pulser-clocked sample and hold on the filter. The baseline is re-recorded: the 114 earlier sounds are unchanged and no new one clips or is silent. Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Twenty-six sounds send one output to more than one input, which the app allows but a real 42N jack, taking one plug, does not. The step that adds the second cable now says the hardware needs stackable cables or a multiple for it. Text only: no sound's fingerprint moves. Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Nineteen in the style of artists and genres (Kraftwerk, Boards of Canada, Switched-On Bach on the split keyboard, French filter house, Moroder's octave bass, Ciani, Hassell, Burial, "On the Run", a trailer braam, shoegaze, Reich phasing from the two Papa Srapa voices, Riley, Subotnick, vaporwave, Frippertronics, G-funk, gabber, Sun Ra); fifteen instruments (a joystick theremin, musette, steel pan, marimba, harpsichord, cello, kalimba, music box, fretless bass, Leslie organ, throat singing, hurdy-gurdy, erhu, gamelan, koto); a hi-hat, a delay-flammed clap and pitch-swept toms; eleven sound effects and scenes; a whistling filter played by the keyboard's v/oct and a harmony stepped by the keyboard's gate. The baseline is re-recorded: the 141 earlier sounds are unchanged and no new one clips, is silent or is quiet. Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Pads (warm, glass, string machine, brassy, PWM, sweep, dark drone, fifths, tremolo, breathing, drifting voices, octave, worn tape, cinematic swell, gliding chords, choir, ambient wash, reverse swell, sub, key-tracked), strings (film, pizzicato, violin, tremolo, cellos, staccato), brass (stabs, horns, fanfare, synth-rock, trumpet, sax, tuba, arena, Vangelis), keys (electric piano, clav, organs, harpsichord, vibraphone, bells, toy piano, house stab, dub chord), 22 basses and 20 leads. The baseline is re-recorded: the earlier sounds are unchanged and no new one clips or is silent. Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Plucks (trance, harp, koto, marimba, kalimba, a dotted-eighth echo guitar, a glass ping, bubbles, arpeggios, a Berlin School sequence), effects (lasers, wind, surf, sirens, random bubbles, a UFO, an alarm, birds, explosions, an engine, risers and falls), drums from the voices, more keys and organs, world instruments (sitar, bagpipes, accordion, harmonica, steel drum, guitars, banjo, glass harmonica), sounds in the style of thirty artists and genres, and techniques (sync pads, a key-tracked vibrato, velocity brass, a mod-wheel growl, clock-synced pumps, gates and sample-and-hold). The baseline is re-recorded: the earlier sounds are unchanged and no new one clips, is silent or is quiet. Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Each a matrix patch whose steps name the points they set. Basses (saw, sub, acid, pulse, super saw, sync, ring, FM, dub, octave, gritty, wobble), leads (pulse, sine, detuned, resonant, sync swept by Oscillator 3, fifths, the self-oscillating filter, a breathy flute, an S&H staircase), keys and plucks (harp, tower bells, a three-oscillator organ, clav, mallet, ring-mod keys), strings, brass and pads; looping-trapezoid drones, tremolo, sweeps, PWM, S&H on the filter, pitch and the decay, a bit-crusher, effects (laser, siren, UFO, wind, surf, thunder, helicopter, steam, a Radiophonic robot, alarm, birds, crickets, heartbeat), drums, dub echoes, a self-oscillating delay, the joystick as wah, theremin, ring tuner and panner, the envelope follower reading the Scope column, and a feedback loop through Input 2. The baseline is re-recorded: the earlier sounds are unchanged and no new one clips or is silent. Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Sounds in the style of the Synthi's players and heirs (Pink Floyd, Hawkwind, Jarre, Tangerine Dream, Eno, The Who, the Radiophonic Workshop, Schulze, Derbyshire, Throbbing Gristle, Suicide, Silver Apples, Subotnick, Radigue, Oliveros, Reich, Riley, La Monte Young, Aphex Twin, Autechre, the Chemical Brothers, the Prodigy, Jon Hopkins, Caterina Barbieri, Ciani, Spiegel, Cabaret Voltaire, Coil); keyboard instruments, strings, brass, basses and leads; Oscillator 3 as a fixed drone under the keys (bagpipes, sitar); percussion from filter pings, noise and the shortest delay; drones and textures; and matrix techniques (the high-pass swept, Oscillator 3 on the Decay, a wave routed out through the Scope column and back, ducking with the envelope follower, Input 2 as a drive, the S&H crushing drums, FM bells, two patches on two channels, a chain through every section). The baseline is re-recorded: the earlier sounds are unchanged and no new one clips, is silent or is quiet. Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
Supersaws (trance chords, lead, pluck, a gated pad, hardstyle, dream piano, the hoover), pads in one layer and in two (warm, glass, PWM, octave and fifth layers, drift, sweep, choir, a dark drone, breath, two layers moving at their own speeds, an ambient wash), strings, brass and orchestral layers (a string machine, film strings, strings over horns, stabs, poly brass, fanfare, cello, tremolo, an orchestra hit), keys (electric and FM pianos, clav, organs, harpsichord, vibes, ring bells, a split bass and keys), basses and leads. The baseline is re-recorded: the earlier sounds are unchanged and no new one clips or is silent. The ten earlier sounds already differ from their baseline at HEAD (engine drift since t-118, not this change); their fingerprints are kept as they were, and only the new sounds are added. Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
In the style of players and records (Van Halen, Europe, Faltermeyer, Vangelis, Jarre, Tangerine Dream, Stranger Things, Kavinsky, The Weeknd, a-ha, Depeche Mode, New Order, Eurythmics, Soft Cell, Numan, Kraftwerk, Moroder, Prince, Rush, Jan Hammer, Herbie Hancock, Daft Punk, Justice, deadmau5, Avicii, Eric Prydz, Tycho, Boards of Canada, M83, Com Truise, Perturbator, Gunship, CHVRCHES, Röyksopp, Jon Hopkins, Bonobo, Arnalds, Tears for Fears, Pet Shop Boys, Yazoo, The Human League, Ultravox, Eno, Wendy Carlos, Stevie Wonder, Weather Report, Fred again.., Moderat, Above & Beyond, Toto, Zimmer, Ligeti, Tchaikovsky); drums (kick, snare, hats, clap, toms, cowbell, rimshot, shaker, conga, zaps); effects (riser, downlifter, ocean, rain, a film computer, UFO, alarm, heartbeat, wind, a spaceship hum); drones (binaural, cluster, sub, tanpura, organ); wind, strings, brass, keys and plucks; and the panel's own tricks (LFO 1 at audio rate on HF TRACK, ONCE and RESET, LR PHASE, DDS 2 at LFO range as tremolo and throb, VCF DDS 2, the envelope hold stages, PW/WAVE by envelope and by hand, POLY 2, OCTAVE, HOLD, SPLIT and DUAL layers). Every sound names a player or the genre it is heard in. The baseline is re-recorded: the earlier sounds' fingerprints are kept as they were (the ten oldest already differ, as noted in 8d78955), and no new one clips, is silent or is quiet. Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
In the style of players and records (Phil Collins, Eurythmics, Depeche Mode, The Human League, Soft Cell, Yazoo, Simple Minds, a-ha, Tears for Fears, Duran Duran, New Order, Pet Shop Boys, Gary Numan, Ultravox, Vangelis, Jarre, Carpenter, Stranger Things, Kavinsky, The Weeknd, Faltermeyer, Moroder, Prince, Rush, Genesis, Jan Hammer, Thomas Dolby, Kraftwerk, Emerson, Zawinul, Lyle Mays, Wendy Carlos, Tomita, Phuture, Derrick May, Larry Heard, Avicii, deadmau5, Prydz, Daft Punk, Justice, Kevin Saunderson, Dr. Dre, Bernie Worrell, Herbie Hancock, Stevie Wonder, Tycho, Boards of Canada, M83, CHVRCHES, Röyksopp, Jon Hopkins, Bonobo, Arnalds, Moderat, Burial, Four Tet, Cliff Martinez, Zimmer, Sakamoto, Bach, Scarlatti, Debussy, Tchaikovsky, Reich, John Williams) and genres (dubstep, trap, Italo disco, Hi-NRG, lo-fi hip-hop, gamelan, steelpan, musette, Highland pipes, koto, bossa nova); and the panel's own tricks (FM 2→1 for electric pianos, bells, mallets and gongs, LFO 1 on Osc 2 Freq to move only the FM modulator, Envelope 1 as Aux on Osc 1 or Osc 2 Freq for sync tears and talking timbres, SYNC 2→1 swept by LFO 1, LFO 2 per voice, the gated third ENV ROUTING for organs, VINTAGE, both drives, pink and white noise, the arpeggiator's modes, octaves and triplet divisions, and the effects). Every sound names a player or the genre it is heard in. The baseline is re-recorded: the ten older sounds' fingerprints are kept as they were (they already differ from the engine at HEAD), and no new one is silent or quiet. The church organ peaks at 0.99; the next commit lowers it. Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
In the style of players and records (Afrika Bambaataa, Phil Collins, Marvin Gaye, Anita Ward, Public Enemy, Bernard Herrmann, Pink Floyd, Delia Derbyshire, the BBC Radiophonic Workshop, La Monte Young, Lustmord, Eno, Éliane Radigue, Tangerine Dream, Handel, Plastikman, Isaac Hayes, ? and the Mysterians, The Beatles, The Small Faces, U2, Hot Butter, Mort Garson, Perrey and Kingsley, Philip Glass, Terry Riley, Mike Oldfield, Jarre, Goblin, Carpenter, Darude, Haddaway, Gigi D'Agostino, Underworld, Orbital, Massive Attack, Portishead, Billie Eilish, Grimes, SOPHIE, Artful Dodger, Wiley, Bob Marley and the Wailers, King Tubby, Tame Impala, My Bloody Valentine, Neu!, Suicide, Silver Apples, Cocteau Twins) and genres (techno, house, disco, Miami bass, Cuban son, samba, EDM, arcade games, chiptune, Hindustani classical, singing bowls, old-time radio); drums (kicks, snare, hats, clap, toms, cowbell, claves, conga, shaker, syndrum); effects (riser, downlifter, laser, surf, rain, thunder, a film computer, sirens, a saucer, heartbeat, helicopter, chimes, bubbles, alarms); drones; and more of the panel's own tricks (Envelope 1 as Aux on Cutoff and on Resonance, an upside-down filter envelope, a square LFO 1 trilling Osc 2 alone, sample-and-hold on pitch and on each voice's cutoff, the filter self-oscillating, the high-pass effect for hats and a radio, a dotted-eighth delay, a runaway tape echo, the flanger, VINTAGE turned right up, and the arpeggiator's Assign and Random orders). Every sound names a player or the genre it is heard in. The church organ from the last commit is lowered so it no longer clips. The baseline is re-recorded: the older sounds' fingerprints are kept as they were, and no new one clips, is silent or is quiet. Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
- Name a genre, tradition or player for the 377 new sounds that said "Classic technique" - Spell out every control and value in the new Super Gemini steps - Fix three tweaks that did nothing or pointed the wrong way (e7-snare, sg-hand-clap, t5-mays-lead) - Drop a duplicate tag; match artist to ref on three sounds; curly quotes in 43 refs Co-Authored-By: Claude Opus 5.5 <noreply@anthropic.com>
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Adds 924 library sounds across five synths, each a lesson built from the panel's defaults, and fixes what code review found in them.
.context/app/check/*.json) is re-recorded with the new sounds, andseed-data.test.tscounts are updated.Code-review fixes (566b4b9)
e7-snare,sg-hand-clap,t5-mays-lead). A scan of every new tweak finds no others.Gates
/pre-pr,/security-reviewand/code-revieware done; the code-review findings are fixed above.Not checked by eye
These sounds haven't been played yet. The owner will check them by ear once the app is complete.
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